Framing the Cottage: Part 1!

I realize that this is maybe not the most exciting post to kick off 2015, but hey, I don’t make the rules!

Just kidding. I MAKE ALL THE RULES. On this blog anyway. Live it, love it.

Anyway, happy new year, folks! I feel like I’ve been hearing this from almost everyone I know, but 2014 sort of felt like a jumbled confusing mess of craziness and turmoil and general lunacy and I’m happy to see it go. 2015 is going to be better. I don’t know exactly how and I don’t know exactly why but I feel it in my bones and I feel it in my loins.

Between all the holidays and travel and stuff that comes with the end of the year, I stepped away from the cottage renovation for a few weeks to work on getting the library/living room to a done-ish state in my own house. I should have a working camera by the end of the week (long story), so I’ll take a bunch of pictures then! Taking that amount of time off from the cottage wasn’t really how I intended things to go, but getting a little more of our own house in order has made such a big difference. Worth. It.

When I bought the cottage, I figured I could reasonably slow my roll on our own renovation while I worked on that one, but what really happened was that I didn’t do anything in my own house while I was working non-stop on the cottage. And as much as I like renovating, coming home at the end of the day from one construction site and walking into another turns out to be something less than fun and relaxing, so minimizing that feeling a bit has already made me feel exponentially better about things. It also gave me some time to think and plan and fine-tune how I want the cottage to pan out, which is also fairly motivating. I’m ready to jump back in!

LumberinTruck

SO, let’s get back up to speed, shall we? The last major thing that really went down with the cottage renovation was framing—turning the SketchUp models (here and here) I’d been playing with for a couple months prior from virtual reality to reality-reality. Originally, I thought that the framing would be a pretty minimal task: shift and widen a doorway here, remove a non-structural wall there, add a half-bath…nothing too crazy. But as demo progressed, it became increasingly clear that everything was more involved than I anticipated. I’m sure this shocks exactly nobody reading, so I’m not sure why this sort of thing is perpetually so shocking to me. I learn slow I guess.

Because the cottage is essentially the product of an original (I’m guessing circa 1850s) structure and three later (I’d wager early 20th century) additions, things had gotten funky with the structure over time. Exterior walls became interior, but the new openings were never properly supported by framing. The wall that didn’t look like it was load-bearing in the early inspections definitely was. There were places where it sort of seemed like the house probably should have collapsed, or at the very least shown some significant sagging/settling, and I’m still sort of impressed that neither of these things ever really came to pass. Point is, it was a big job requiring more experience and know-how than I could reasonably claim to have, so again I brought in my main man Edwin (and his cousin, Edgar!) to take the lead.

When I asked Edwin what materials he thought we’d need to get started, he thought for a second. “100 2x4s and 40 2x6s…to start.” I thought he was kidding. He was not kidding. It seemed like an insane amount of lumber at the time, but (spoiler) it didn’t end up being nearly enough! I thought I more or less grasped how this framing party was about to go down, but I understood…nothing.

Demo

Not that this is all that relevant, but the first day of framing will pretty much forever go down as the craziest day of the cottage renovation. Edwin was ready to start the job before demo was entirely complete, so I met Edwin at Lowe’s when they opened to buy the lumber, then came back to the cottage, unloaded everything, and delegated demo-duty tasks to six other people while Edwin and Edgar got to work…it was just chaos EVERYWHERE. Lesson learned: 8 people is too many for me to manage at once.

Everyone cleared out by mid-afternoon, and Edwin, Edgar, and I got to work on the kitchen floor. I know that for most people, the whole point of hiring contractors is to do work that you aren’t capable of, don’t want to do, or don’t have time for, so it makes sense to stay out of the contractor’s way while they do their thing. I take the opposite approach, though: I watch, I ask tons of questions, I assist wherever I can, I ask to use the tools…I’m sure it’s hugely annoying, but it’s such a good way to learn! I feel like I can absolutely take on some of the smaller framing projects in my own house now.

kitchenfloor

Back to business: the kitchen floor had some serious water damage and rot issues happening in the back corner—probably due to a combination of plumbing issues (the old sink was in this region) and that window sitting wide open while the house was vacant. I’d prepped by taking up all of the wood flooring (it was either fir or yellow pine) and about half of the subfloor to expose the joists. I was planning to salvage and reuse the wood flooring that wasn’t rotted, but sadly the salvageable boards got thrown away that day by accident. BUMMER. I had too many cooks in the kitchen! The boards weren’t in very good shape and were coated in old linoleum adhesive (which, yes, could have contained asbestos…), so it’s not a HUGE loss, but I still get grumbly thinking about it. Everything was just so nuts that I didn’t even notice until the next day!

KitchenFloorLVL

Edwin and Edgar used a reciprocating saw to cut the existing joists roughly in half (they were structurally fine on the other side of the room), removed the rotted pieces, and placed an LVL beam perpendicular to the original joists. “LVL” stands for Laminated Veneer Lumber, meaning that the beam is made up of many thin layers of wood sandwiched together with super-strong adhesives. They’re much stronger, straighter, and more uniform than regular framing lumber (which is typically a soft wood like pine, fir, or spruce), and less inclined to bow or shift over time. Cool! Once the LVL was in place, Edwin nailed through the back of it into the ends of the joists, and later went back in and added joist hangers for extra stability and maximum support.

nailer

After the LVL was in place, a new 2×8 was installed against the inside of the sill plate, and the new joists were run between the LVL and the new 2×8. That kitchen floor is going to be SOLID. I decided to just go ahead and rip up the rest of the original subfloor, figuring it would make plumbing/heat easier to install and would just be easier to put down a new uniform plywood subfloor rather than patch in around the original tongue-in-groove one and end up with any inconsistencies in depth and whatnot.

At some point in here, Edwin and Edgar also completely rebuilt the interior kitchen wall—the one that’s shared with the dining room. It’s a load-bearing wall that had NO support on one side where the doorway was and inadequate support on the other side where the pass-through was. What a mess! Now it’s strong and solid, though!

LVLbeam

Before the day was out, we worked on placing the other LVL beam up at the front of the house, where the load-bearing wall in the center of the new living room was being removed. Sometimes when removing load-bearing walls, the beam will just go beneath the joists that need to be supported, but with only 7.5 feet of ceiling height in here, that wasn’t an option! Instead, the beam is getting pocketed up into the ceiling—running alongside the existing joist, which runs perpendicular to the joists that need to be supported. This stuff is hard to explain, so apologies if I’m speaking gibberish here!

joisthangers

The next day, Edwin and Edgar face-nailed the beam to the original joist, further secured it using large bolts (I think 12 of them?) and then secured the perpendicular joists to the beam with metal joist hangers. Considering that this load-bearing wall was previously being supported by about 3 2x4s, it’s MUCH stronger and more solid now!

basementstaircutout

Then we turned our attention to building and installing the new basement steps! YAYYY! The old basement stairs were horrifying and only accessible through a trap door in the kitchen floor, so both for the sake of space in the kitchen and to promote the basement as accessible, usable space (laundry machines and other utilities will live down there), I made the decision to relocate them under the main stairwell. It wasn’t a huge deal, but it wasn’t a small thing, either! The opening had to be cut out (yes, it was terrifying to watch Edgar go at it with a Sawzall while he was standing on the parts he was cutting away, but these dudes play fast and loose and I like it) and framed in, and a doorway had to be framed in on the kitchen wall for access to the new stairs.

Basementstairbuilding

Then we had to build the stairs! I thought this would consist of either buying pre-made stringers or cutting our own, but instead the stairs are just two 2x10s (Edwin said he wanted 2x12s, but I swear that’s not what he told me when I went to buy the wood!) for the stringers and smaller lengths of 2×10 for the treads. The treads are secured by nailing through the stringer into the short edge of the tread, if that makes sense—super simple. They’re very sturdy, though, and Edwin assures me that they’ll pass inspection, so I guess we’ll find out!

temporarysupportwall

Then it was on to re-framing the wall between the dining room and the new coat closet/half bath! This is the kind of thing I was talking about before—I figured this wall was more or less fine the way it was (it’s been standing for 150 years, right?) and we just needed to shift the doorway over a bit, but NOPE. The entire thing got rebuilt better and stronger than it was before. That’s actually true of every single interior wall in the house—they all had some problem or another that just made it easier and smarter to start over, even though a lot of the walls didn’t change locations at all. Now the only original walls in the house are the exterior ones, which is pretty insane!

Anyway, the basic process of removing and replacing these load-bearing walls was essentially to throw together some temporary support on either side of the original wall to bear the load while the wall was removed. After the old wall framing was removed, the new one could be assembled in its place (with fancy things like standardized stud-spacing, solid lengths of wood, headers, etc.), and then the temporary supports could be removed. It was actually fairly simple, even though it sounds pretty overwhelming. So anyway—the photo above is of the guys putting the temporary support in to hold up the dining room ceiling.

diningroomwall

Here, Edgar is nailing in the new header—you can see the temporary support walls on either side of them.

doorways

Framing in the half bath went pretty quickly, and that was about it for the first floor! The house is a DISASTER, though! Between the framing happening at such a fast pace and not really having adequate time to completely clean out the house after the demo, I seriously have my work cut out just to get ready to dive into the next phase.

downstairssketchup

Not that this is terribly convincing or at all good-looking, but JUST FOR REFERENCE, this is the same view in the SketchUp model, just so you can get an idea of where you’re oriented. Make sense? It’s really exciting to see the the framing in real life, at least in person—it’s nice to finally get a sense of how the space will feel when things are done!

nailpulling

One of the things I spent stupid amounts of time on during this period was de-nailing and stacking/sorting alllllll the many pieces of trim (from around doors and windows) that came out during demo. There isn’t anything wrong with it, aside from the filth aspect, and reusing it will keep it out of a landfill and save me some money when I get to installing molding. Pulling nails out of old lumber is generally pretty easy—the trick is to use end-cutting pliers (I have these) and pull the nails out from the back. Trying to hammer them back through the front usually just causes more damage to the wood and is more labor intensive.

trimandlumber

Since the cottage isn’t very big, this stuff needs to get OUT so that there’s space to work and maneuver! This is maybe about half of it—I still have to go back and sort and haul the rest! On the left is the old framing lumber (FOR WHAT I DO NOT KNOW) and on the right is trim. Now it’s all festering in my garage until it’s time to bring it back over to the cottage, but that’s a little while off. There’s still a ton to do before I’m at that point, clearly!

Obviously, getting the framing done is a HUGE step in the right direction. I’ll talk about the upstairs next time, but the next steps are getting the heat system in, plumbing, electric, insulation, and then finishing work like walls and tile and fixtures and all that fun stuff can start. YAY.

Diary time!

Day 24: Met Edwin at Lowe’s at 7 to buy lumber, nails, and joist hangers. Dump truck came in morning, worked on filling with debris until 2. Unloaded truck with crew and Edwin and Edgar started repairing kitchen floor and reframing interior kitchen wall. Went to Herzog’s for LVL beams and 2×8 and 16′ 2x4s. Loaded scrap metal in Edwin’s truck and went to scrap yard with Chris. Sent all workers except Edwin and Edgar home at 3. Edgar and Edwin and I finished framing interior kitchen wall and header and then dry fit LVL on load bearing wall in front.

Day 25: Edwin and Edgar and I worked on framing basement stairs and kitchen floor. Went to Herzog’s to buy more lumber.

Day 26: Worked on cleaning house alone, pulling nails from trim, and organizing things for next work day. House was a disaster!

Day 27: Painted sunburst pediment outside, caulked/bondo’d around door, and painted deck.

Day 28: Edwin and Edgar are back, working on removing load-bearing wall and re-framing wall and opening in dining room.

Day 29: Edwin and Edgar remove load-bearing wall, frame in downstairs half-bath. I went to pick up more lumber in morning and chased mess rest of day.

Building the Faux Fireplace!

header

Since I’ve been dealing with something of a forced hiatus from working on the cottage due to the gas/heat issues, I’ve taken the opportunity to refocus on my own renovation. Remember that? A lot of people in my life have assumed that since I’ve taken on a whole other renovation, my own house must be close to completion. VERY FALSE. I could try to list all the things I still need to do, but it would take you like three days to read and give me a panic attack, so just take my word for it. It’s a lot.

wallbefore

I’ve talked before about the room at the front of our house, which was likely originally a parlor. It’s the first room t0 the right when you walk in the front door (you can look at a floor plan here), and essentially rounds out the side of this floor I’ve been working on since we bought the house—first with the kitchen, then the laundry room, then the dining room. A while ago, Max and I decided that this room would be a study/library/office type space (since there’s a much larger living room right across the hall), but we’ve since sort of switched gears on that. Realistically, the “big living room” is probably a couple years off—even though I’m dying to get to it, it’s low on the priority list. I don’t want to wait that long to have some kind of space to sit and hang out and entertain, though, so I want this to be the living room for now! It’ll still house the books (or most of them, anyway), but also a couch and a couple chairs and stuff like that. I’ve been working hard to get it done-ish before the cottage drags me back into its clutches.

ANYWAY. I’ve talked about this before, but one of my big conundrums with this room was the feeling that there was something missing. The wall that the room shares with the dining room is bumped-out, and there’s this narrow/shallow little closet on the side that I’ve been informed is called a chimney cupboard, and would have been used for wood storage and whatnot. You can kind of tell from the crappy picture above (taken at our first walk-through) that there’s a large patch in the floor in front of this wall, and that the baseboard ends abruptly.

I’m not sure exactly what was here originally, but I have a couple reasonable guesses. There’s a chimney behind the wall (which has since been dismantled below the roof line, so doesn’t actually do anything), and a vent hole up near the ceiling. The floor patch indicates that there was some kind of stone hearth set into the floor here, and likely a wood-burning stove sitting on top of that. Our house was built around 1865, and since radiators didn’t come into use until the end of the century (and could have been installed here as late as the 1920s, perhaps), wood stoves would have been the original heat source. As for a mantel, it’s anyone’s guess. There’s a beautiful marble one in the big living room, but whatever used to live on this wall has been gone for a long time.

Given all of this, I had this big idea. Why not put something back in that spot? Even if it didn’t actually serve a functional purpose, a proper-looking fireplace would go a long way toward anchoring the room and providing some nice ambiance. The fireplace in our apartment is purely ornamental, but just the fact that it’s there gives the room so much. So that is what I set out to do. Fake fireplace plan: a-go.

A quick word about the fakey-ness of it all: I feel so weird about this kind of thing! I sort of think of myself as a modernist renovating an old house, and this kind of thing feels distinctly not-modernist. It’s the same feeling I get about putting up a bunch of foam ceiling medallions (which I’ve faux-aged on top of it!) or trying to recreate original molding work like I did in the laundry room. What’s so wrong with new work looking…new? Isn’t there something much more honest and authentic about just embracing all the original detail that does remain in this house, and allowing the new work and materials to just be what they are? I don’t know. I think about it a lot. But at the end of the day, I guess I want the house to seem more impeccably preserved than it actually is, for better or worse. So I’m going with it!

atjohnshouse

SO, now that I’ve written like 700 words and bored you to tears, let’s get into how this faux-fireplace party went down. It started with this mantel. Back in MAY. Yeah, this took a while from start to finish. My wonderful and insanely talented friend, John, ripped this mantel out of his house during his own renovation, but had stashed it in his basement instead of tossing it. His house was built in 1723, and this mantel was fabricated and added in the 1920s. I’d say John’s renovation sensibility is a bit more purist than mine, so he worked with a woodworker to custom build a more period-accurate mantel to replace this one (which is gorgeous, by the way). So anyway…John had a mantel, I needed a mantel, John didn’t want any money for it, I like free things…it worked out.

wallopeneduo

When I got the mantel home, I opened up the part of the wall where the old mantel would have theoretically been, wondering if I’d find a firebox or just the chimney. Just the chimney! Since there wasn’t any depth to work with inside the wall, whatever would go on the inside of the mantel had to be essentially flush with the wall. Hmmm. Hmmmmmmm.

mantelinplaceish

I dragged the mantel into place-ish (Linus assisted), just to get a sense of how it would look and feel. Even though this thing is quite a bit newer than my house, I feel like it plays really nicely with our moldings. As you can tell from the floor patch, it’s about a foot or so wider than what was here originally, which is something I sort of fretted over before deciding to just go with. I really didn’t want to get into trying to hack the mantel down to the “right” size (I liked the proportions of it as-is), and I really liked the idea of using this mantel in particular because I had it, I didn’t have to pay for it, and I liked the whole story behind it. Something new or salvaged just wouldn’t have held the same meaning to me.

hearthcutout

So, onwards! I removed the old patch job with no real plan about what was to go in its place, but sometimes you just need to dive in and figure it out later.

guttedwall

Unfortunately, this plaster wall was just beyond the point of trying to salvage. The plaster had separated a lot from the lath, it had some very significant cracks, and had undergone some failed repair attempts over the years with lots and lots of joint compound but nothing (like mesh tape, plaster buttons, or screening) to stabilize the plaster from further shifting. Even though I want to save as much of the original plaster walls in the house as possible, the best course of action here was to just start over, so that’s what I did!

lathshims

Since new 1/2″ drywall wouldn’t match the original depth of the plaster walls, I experimented with reusing the original lath strips, this time nailed directly onto the wall framing. I could have also just left all of the lath in place, but I’d already taken it down and this allowed me to still salvage the bulk of it for some other use down the road. I have no idea what to do with all my lath, but I’ll come up with something!

drywallinplace

Putting up the new drywall was no big thing. Since the underlying framing wasn’t very smooth, the drywall wasn’t either—but I had a plan! I actually wanted it to be a little irregular to mimic the look of the other plaster walls.

drywalled

I used fiberglass mesh tape and joint compound to cover the seams and screw holes. You typically do three coats of joint compound with new drywall and then finish off with a fine sanding before paint.

skimcoatingwall

I wanted to experiment with getting more of an authentic plaster look, though, so I opted to skim-coat the entire wall with joint compound. I just used the pre-mixed all-purpose stuff, and I wasn’t too careful about it: I wanted the thickness of the skim-coat to vary slightly along the surface of the wall. In some places it’s barely there at all, and in some places it’s probably about 1/8″ thick.

skimcoatedwall

Here’s a terrible picture of the whole wall skim-coated. The whiter spots are where the joint compound is thinner and dried faster. It doesn’t look at all like a textured wall or anything—it’s just very very subtly uneven so that it doesn’t stand out as looking flat and new. I sanded it all before painting and it really is indistinguishable from the plaster. Yay!

marble

Ok, moving on…one of the big challenges was figuring out the material for the hearth. There were a few options here. Sometimes, like in our apartment fireplace, you’ll see a tiled hearth—but tile is tough to pull off without the whole thing looking brand new. New tile isn’t made the same way as old tile and doesn’t have the same character, so I’d either have to get really spendy reproduction tile or find something salvage. What I thought I really wanted, though, was a nice slab of honed marble. I mean, what’s more classic and pretty than marble, right? Since the size I needed was somewhat irregular (about 75 inches with a flexible depth, ideally between about 16-24 inches) I thought maybe I could find something cheap-ish in the remnant section of a stone yard.

Wrong! I took myself to a local stone place (that mainly does countertops and stuff) and found this really gorgeous slab. It was honed, it was about the right size, and it was even a little damaged along the edges and had a couple scratches, which I sort of liked. But then it priced out at over a thousand dollars, so I burst into tears and ran away. Soapstone was even more expensive, and granite was a little cheaper but still too much money, and I didn’t want granite at all anyway.

bluestone

Then it dawned on me: what about good old Kingston bluestone? I suppose it’s even possible that that’s what was here originally, but who knows. I could probably find something that was locally quarried, super pretty, and much cheaper than marble or soapstone. It would reference Kingston history and even sort of tie into the exterior of the house, which is lined with bluestone sidewalks and pathways.

It just so happens that John, the same friend who gave me the mantel, worked for a couple of years as a stone mason when he first moved up here. My friends, bear in mind that this man is an optometrist. Almost 15 years ago at this point, he decided to take a break from optometry, pretty much just for the sake of learning something awesome that he felt passionate about, and I guess that thing was building stone walls and stuff. He worked as an apprentice under a stone mason named Sean Fox. So when I mentioned wanting bluestone, John knew who to call!

Sean was awesome to work with. I told him what I was doing and what I wanted, and he helped me find slabs that were good options. He also has the cutest German Shepherd named Dante, who is modeling the slab that I chose! The slab was thicker than I anticipated (Sean said that a thinner slab was likely to crack either during transport or once it was in place) and cost $400, which I figured was reasonable. I don’t know if I could have found the stone cheaper elsewhere, but at that point I was excited to have found something I liked and from somebody who understood what I was after. They had to cut the slab down slightly to fit my dimensions, and then burned the edges just a bit. I didn’t want it to look machine-cut, but I also didn’t want it to look overly rustic and rough-hewn, either. He did a perfect job, and I got to pick it up a week later.

FYI, bluestone is HEAVY. I don’t know how much this thing weighed, but I’d guess around a thousand pounds. Seriously! Sean loaded it into the back of John’s pick-up with a forklift, but it was up to me to figure out how to get it into my house and in place on the other end. Yikes! So one day, I finagled all of the people working over at Bluestone Cottage to take a break and walk over to my house to help with this thing. The whole ordeal was VERY STRESSFUL. I don’t have any pictures because I was helping and also shielding my eyes and generally terrified that the whole thing would go crashing through the floor and down into the basement and the whole house would collapse. But between about 6 guys, we were able to get it inside and into place and it wasn’t even as horrible as anticipated. I had to cut out a little more of the floor beforehand, but that wasn’t a big deal.

summercover

With the mantel in my possession and the hearth in the floor (and not going anywhere, ever), I still had to figure out how to sort out the space inside the mantel. I really fly by the seat of my pants, evidently! John actually gave me some cast iron insert parts that were with the mantel back at his house, but they were designed for a firebox and wouldn’t work here, since the wall doesn’t actually have any depth. I really needed something that would cover the entire surface and give the illusion of depth behind it without actually requiring it.

Enter: the fireplace cover! I went to one of the salvage places in town and found this big old rusty cast iron beauty. It isn’t so hard to find the arched (or sometimes rectangular) surrounding part, but the summer cover that goes inside it (exactly what it sounds like—a decorative cover to conceal the firebox in the months when the fireplace wouldn’t be in use) is a bit more rare—and finding the two together is even more challenging! I got really lucky that this one was waiting for me. The dimensions were perfect, and the detailing is just gorgeous! It’s definitely very Victorian (my house is more Greek Revival—in other words, pre-Victorian), but I love it all the same. It came home with me for $150, which is more than I wanted to spend, but after some poking around online seems to be a steal of a deal.

drywalltracing

OK, so! Mantel—check! Hearth—check! Summer cover—check! The next decision was AGONY. What to put between the inside edges of the mantel and the summer cover? Usually I’m pretty decisive with this stuff, but this whole project seemed so full of unknowns and opportunities to royally fuck everything up and end up with something that looked super dumb and super faux and lame and I was very afraid of that happening. The idea of tile was kind of nice, but it was the same issue with the hearth—new tile would result in the whole thing looking new and kind of cheesy, and vintage or repro tiles are so hard to come by and so expensive, and I’d already spent way more money (remember, I’m $550 deep at this point!) on this project that is purely aesthetic and was supposed to be essentially free. Then I went through this long phase where I thought about doing brick veneer tiles and painting them, but I eventually got over it and nixed that idea. I became mildly obsessed with old fireplaces everywhere I went—studying them to figure out what would look authentic and be feasible, and what I landed on was a plastered treatment. You see this a lot in old houses—maybe a brick surround that’s been plastered over and painted. Often the hearth is also painted, but I wasn’t about to slap paint on my bluestone!

So anyway. More faux. I turned the mantel around, screwed a scrap piece of 1/2″ drywall in through the back, and traced the outer edges of the cover with a sharpie. The inner part of the cover is deeper than the outer part, if that makes sense, so the outside needed a lip to sit flush with, while the inside needed a little space behind the face of the drywall. I have no idea if I’m explaining this well. Then I took a drywall knife and cut an inch or two inside my sharpie line and removed the inner piece. Then I (finally!) moved the mantel into place and secured it to the wall by screwing a few 4″ screws through the front and into studs. Then I simply patched the holes (I like Ready Patch for small things like this—it sands down smoother than wood putty) and caulked the places where the mantel meets the wall. Then I just had to patch in a few floor boards and the original molding that I pried off and saved way back when I started this whole rigamarole.

roughskimcoat

Since drywall is so flat and smooth, I used more joint compound to create the faux plaster effect. I was very liberal with it—sort of slathering it on with a 6″ putty knife, intentionally creating and leaving ridges and imperfections along the way. You can sort of tell from the picture how the texture looks, but it wasn’t super evident until I got to the painting step. Anyway, once everything had about 36 hours to dry, I gave it the lightest sanding and moved on.

wirecupbrush

Because the summer cover had been sitting outside for so long at the salvage place and was covered in rust, I used this wire brush attachment on my drill to clean up the surface and prepare it for paint. These things are great for stuff like this! Then I went back in with a regular wire brush to get in the nooks and crannies of the pattern. I’d say all the prep took maybe an hour, and then I just wiped it down with a damp microfiber cloth and let it dry.

coveron

Securing the cover ended up being easier than anticipated. Before I put the whole thing in place, I painted a piece of drywall black and screwed that into the studs, so that you don’t see the framing through the holes in the summer cover pattern. Because the summer cover interlocks with the outer part, all I did to secure the whole assembly was use existing holes in the summer cover pattern. I drove two large screws into the studs behind—you can sort of see the screws in the picture above. The heads are sunk into the existing holes in the pattern, and after the paint, you have to really search for them. Nobody will ever notice except me. And everyone I tell.

painting

FINALLY, PAINT TIME! I had about half a can of high-gloss black oil paint from the failed kitchen floor experiment of yore, and so I broke it out here. This makes the project, as far as I’m concerned. The gloss black accentuates the texture of the faux-plaster business and the intricacy of the summer cover, but I think keeps everything looking understated and classic and pretty. Oil paint is so nice to work with once in a while for small stuff like this—there’s really nothing like it. After this first coat, I caulked at the transition between the cover and the faux-plastered surround and then painted a second coat. The finish is so hard and smooth and pretty. I’m thrilled with how it turned out!

fireplace3

ANNNNDDDDD, DONE. I love it. I really do. It completely changes the room. I don’t feel like it dominates, but it does provide a focal point and just a certain ambiance that was missing before. And I feel like it just fits—like you’d never walk into the house and think it was added recently or even really pay a lot of attention to it at all. That’s exactly what I wanted.

Fireplace2

I’m happy with the way it ended up fitting on the wall, too! Even though it’s a little wider than whatever was here originally, I don’t think it feels out of place or two big for the room.

I love the bluestone, but I do keep wondering what would happen if I tried to darken it up a little bit. I’m sort of afraid to touch it because I don’t want to ruin it, but I wonder if mineral oil would have the same kind of effect on this that it does on soapstone? I don’t know. I’ll live with it for a while and see how I’m feeling some other time.

I’m resisting showing wider shots of the room because it’s actually almost done! Told you I’ve been working hard. There are still a few major items to check off the to-do list, but I’m super excited about the way it’s coming together. It’s so weird and exciting to have this whole other usable space in the house! I can’t wait!

Planning the Cottage Interior: The Second Floor

Now that we’ve gone over how the layout of the first floor of the cottage is going to change, let’s move on to the second floor (which we toured here!)! I appreciate the feedback on the first floor—even though the basic framing work is more or less complete already, there are still a million and one things to think about before I start really putting things back together. Luckily I have some time since I still have to get all the mechanical stuff (HVAC, plumbing, electric, insulation—oh my!) sorted before I can start beautifying, but hopefully not too much time. I want to move on to the fun stuff!

As with the first floor, the major framing work has more or less been completed at this point on the second, but I still think it’s important to get a sense of this stuff before I dive into the process of how it all actually went down. I’m psyched about the first floor, but I’m really excited about the second floor. I feel like I’ve had a better sense since Day 1 of how I want it to look and feel up there, and it just has so much potential. I think it’s going to be pretty spectacular.

I wanted to get this post up a few days ago, but then I got obsessed with trying to make the SketchUp models more accurate by showing the pitch of the walls and ceilings. I DID IT FOR YOU, SO TRY TO ENJOY IT. It was really hard because I’m bad at computers and it’s not perfect but I have to tear myself away and move on. Playing with SketchUp is a lot like how I played The Sims for hours on end as a kid, except there isn’t a virtual person you can create and then brutally starve at the end of it all. Kids are monsters.

exterior

Anyway, the reason the ceilings are so important is that there’s no attic in the house, so the plan is to vault the ceilings! I’m so excited about this, and just how much bigger and brighter the whole space will feel as a result. I’m including this sketch of the exterior (excuse the lack of windows or doors downstairs…you get the idea) to show the basic shape of the roof line. Funny, right? The way it pitches in two different directions?

I’ve mentioned before that I think this house was originally some sort of secondary structure for one of the neighboring houses, like a carriage house or something. The “middle” section, where the roof pitches oppositely from the back and front, is the old, original part of the structure—this is the area that currently houses the dining room and staircase downstairs and will become a bathroom upstairs. The front section of the house appears to be a product of two separate additions, and the back of the house (where the kitchen and smaller bedroom are) are another addition. I think that the original section dates from about the mid-19th century and the additions all seem to be early 20th. I’m trying to get more information about it.

ANYWAY, you might be able to tell on the renderings that the whole roof situation causes some funny quirks with the space, but I don’t mind!

secondfloorbeforeandafter

These before/after renderings don’t take into account the pitch of the roof, since I thought it was easier to see what was going on without that. As with before, the bottom of the photo is the front of the house, so let’s start there!

Welcome to the new master bedroom! It’s large and wonderful. The old space was so weird and chopped up, what with the two closets at the front of the house and the only bathroom in the house basically built into the room. The bathroom was the real problem here—the bathroom itself was small, and it made the rest of the room feel cramped and unpleasant.

bedroombeforeandafter

If you take the front exterior wall of the house away, this is more or less how things look! That bed in the “after” rendering is so ugly. Oh 3D Warehouse…

SO. The two closets in the front flanking the windows get removed entirely, and traded for closets along the back wall of the room, flanking the door. I originally planned to keep the existing closets, but they seemed to take up a lot of space without actually providing very much storage because of the sloped ceiling, and made the whole room feel a little closed in. The new closets are much bigger and have some usable height for shelving and whatnot, and are more out of the way. Obviously they’re going to have doors and stuff…I think I have a plan for this all to look great and not awkward like it does on the plan.

One thing to note is that I didn’t include the collar-ties in the rendering (the horizontal framing pieces that tie the rafters together), but those will be here and will be exposed. I’m planning to just paint them white and I think they’ll be nice! I’d definitely rather see the painted collar ties and have the ceiling go all the way up to the peak of the roof than do a flat ceiling, even though Edwin thinks I’m crazy.

The bedroom door gets shifted over a couple of feet, basically to where the old bathroom door used to be. I’ll reuse the old 5 panel door, of course!

hallwaybeforeandafter

Moving toward the back of the house, this is the area above the dining room. If this house were bigger, it would have been nice to leave this area totally open as a nice reading nook kind of zone, but that would just be a big waste of space here. Instead, I’ve narrowed the hallway somewhat (it’s still 4 feet wide, so the size is still fairly generous), and added a little over 6 feet of closet space that will go from floor to ceiling. The closet is about 18″ deep—perfect for linens and just general storage. I know firsthand how difficult storage can be in a small space, so I’m trying to take any opportunity I can to build it in!

Spoiler: originally I wanted to vault all of the ceilings in the upstairs, but once we gutted and Edwin and I talked (and talked, and talked, and talked), it became clear that vaulting the ceiling in this middle section was not a great option. There were so many crazy angles with the two different roof pitches and a LOT of necessary framing to get everything stabilized and safe…you’ll see. It’s totally fine, though—we were still able to raise the ceiling several inches from what it was, and I think it will be somehow more interesting and dramatic to vault the ceilings just in the bedrooms.

bathroom

There isn’t really anything to see in the “before” rendering of the bathroom. Essentially the room was a bit narrower (because the old hallway was wider) and was being called a third bedroom, but it was really small and weird as a bedroom. This bathroom is going to be NICE, though. It’s definitely pretty spacious (especially for an old house and one of this size) but not stupidly huge, and I think it’s just going to be all-around really great. The plan is a toilet, tub (I’m picturing something kind of 1920s, with a curved corner preferably!)) and double sinks. These sinks aren’t at all what I’m picturing—they were just the first ones I could get to load in SketchUp. I’d love to do two vintage pedestal sinks or wall-mounted ones or something, although I know people will shit all over me if I don’t build in some storage. I’ll figure it out!

Anyway, I’m excited about the bathroom. I spend too much time thinking about fixtures and materials and endlessly debating whether to put in a tile floor or not. I’m leaning toward yes…I have LOTS of flooring to patch in elsewhere so I could use the old boards, and it would be pretty luxe to do radiant floor heat in here, and it might brighten things up a bit besides. It wouldn’t be very expensive.

backbedroom

The second bedroom (which is smaller but still a nice size and easily fits a full bed) undergoes the fewest changes of any room! The ceiling is getting vaulted in here, too (again, with exposed and painted collar-ties), and you’ll notice that I did decide to lose the closet. I know, scandal! I mentioned this back when we toured the second floor prior to demo and a lot of people gave me virtual stink-eye, but it’s the best thing for in here. I checked with the building department and there is definitely no requirement in Kingston for a bedroom to have a dedicated closet to be called a bedroom, so that isn’t an issue. I don’t think buyers necessarily expect it here, either…old houses typically don’t have closets, and pretty much all the houses here are old! The rendering might help (or not?) show that the closet didn’t actually provide a lot of storage space, but it was really large and sort of took over the room. It feels SO much bigger and nicer without it. There’s still space for a nice freestanding armoire, which will achieve the same thing but just fit the space so much better.

So there it is, the second floor! I’m excited to show pictures of the space all framed out—it’s so exciting for me at least to see it at this stage, when you can really get a sense of how the space is going to pan out.

Planning the Cottage Interior: The First Floor!

It’s been a minute since we checked in on the old Bluestone Cottage, hasn’t it? This time of year always feels especially warp-speed-ish. I can’t be the only one who feels like this. It’s like October lasted 10-15 minutes, November went on for roughly the blink of an eye, and now it’s basically 2015, which more than likely means another year has gone by and, once again, I failed to make good on any of my resolutions. I have still used my gym membership exactly once, my email inbox remains a total disgrace for which I have yet to devise an effective system, my body has still never been cleansed with juice for multiple days…WHERE did 2014 go? I guess for 2015 I’ll just roll over everything from 2014 and maybe add “avoid attacks by swarms of leeches,” just to feel like I have new and accomplishable goals. Anyway, not the point. Ignore me.

I kind of wish things were moving faster in renovation-land, though.

Good News:

1. The cottage is still standing.

2. I’m still alive.

3. My house is also still standing.

4. Spoiler: the framing at the cottage is pretty much DONE. And has been for a few weeks.

Bad News:

1. Ideally, the next steps would be running the new HVAC system, roughing in plumbing, diving into the electrical, insulating, and starting the real fun of new walls and fixtures and finishes and all that jazz. Unfortunately, I need gas to do the HVAC, and the gas line running from the main at the street to the house needs to be redone. For reasons that are almost too complicated and definitely too annoying to even really get into, I’ve been trying to get the utility company to do this for about 6 weeks at this point, and I really don’t know when it will happen. It’s mega-annoying. It’s also probably the worst time of year to try to be booking the plumber, since winter usually means burst pipes and emergencies and everyone trying to get their heat systems working at once, and I’m not really an emergency. Anyway. Hopefully the next couple of weeks will see more progress than the last few have!

2. It is COLD outside. And without a heat system, the inside of the cottage is exactly as cold as the outside. Which makes it a very difficult place to work. Hence the lack of progress. I’m trying to muster the strength to go over there for a few hours for a good pre-plumbing-extravaganza-clean-out, but I’m a wimp. I really just need to bundle up and bring a little space heater and completely dissociate from my body and it’ll all be OK. Or I’ll die. One of the two.

3. The exterior of the cottage is close to complete-ish, but not quite there. The windows all still need lots of work, some of which might be above my skill set and necessitate the abilities and tools of a professional. There are still a few things I need to paint, but I’m worried it’s too cold. Maybe we’ll get a warm day when I can bang it out.

4. The stall caused by the HVAC/plumbing stuff at the cottage has forced me back inside my own house, thereby forcing me to confront all the work that I still need to do. Progress seems freakishly, comically slow and drawn-out. There is still no library, no pantry, nary a wall has been painted since the dining room, and I’m getting antsy and impatient. I’ve been chipping away at some stuff, though, so my goal is to check some big items off the list before the cottage consumes me again. If our own house was even a little less under construction, I think I’d feel a lot better, but right now the amount of stuff left to do is kind of overwhelming and the house is a damn mess.

SO. I haven’t really been sure how to blog about all the new framing work. It’s hard to just show pictures of it happening because it won’t make a ton of sense, and the pictures themselves are sort of hard to decipher. I’ll be back in a separate post to talk about the process of it all, but I figured a logical place to kick this thing off would be reviewing the floor plan. We’ve already done a pre-demo tour of the upstairs and the downstairs, but I know that it’s difficult to understand the space as a whole without seeing it all laid out! Hopefully this will help. This post is kind of long so I’ll save the second floor plan for next time.

Sound like a plan? GREAT.

Oh, FYI, my SketchUp skills are really elementary and these renderings were just for my own reference, the building department, and for me to help explain stuff to Edwin as we actually built it. None of the furniture is even remotely what I see in here; it was just helpful to have a sense of how things would fit. So ignore the ugly.

1STFLOORBEFOREANDAFTER

The bottom of the picture is the front of the house, just in case that wasn’t clear!

So—some big changes! Pretty much the only thing I was sure about when I bought the house was that the wall in the front had to go. It created this small, awkward room at the front of the house that just felt like completely wasted space. This house is really just too small to have some sort of entrance space like that, or a sun room different than the living room, or whatever. In the new plan, the wall gets blown out and the space becomes part of the living room.

Naturally, everyone who looked at the wall prior to demo said it didn’t seem to be load-bearing, but as a few readers guessed the first time I mentioned taking the wall out, it was load-bearing! That doesn’t mean that the wall can’t come out, it just means that a beam needs to go in its place to carry the load. I know that sounds like a huge deal but it really wasn’t.

frontview1

This is just a section cut showing how things look when you take the front wall of the house away, and the effect of removing that first interior wall. I know this living room looks very stupid and ridiculous in the model, but it won’t be in real life! It’s a nice size, but I didn’t want to make it too big…since the ceiling height is so low, I think it would feel really strange if the room was too expansive. Like someone’s finished basement. This feels right for this house, and it’s plenty big for a normal couch, a couple chairs, and a credenza or bookshelves or something. I intentionally designed it so there would be multiple possible/practical furniture layouts, which is sort of a luxury for a relatively small space.

One of the most significant changes to the first floor is shifting the through-traffic to the left side of the house instead of sort of awkwardly cutting through the center. It’s obviously a very simple plan but I think it will work a lot better, especially with furniture. Wouldn’t it be annoying to get from the living room, through the dining room, and into the kitchen with the old plan? Once you put a dining room table in the middle of the room? I like this much more.

iso

You might notice that a window disappeared in the living room area! I really resisted moving or replacing any windows, and ideally would have done it before the house was painted, but I wasn’t sure about the interior when that was happening and it ended up falling right in the middle of that wall. I’m still considering whether I should put a couple small windows back on that wall…the large windows in the front let in lots of light, and that view on the side isn’t nice, so I’m sort of inclined to just patch in the clapboard outside and call it a day.

I went back and forth on putting a half bath in this house, but it’s one of those modern conveniences that people like, should increase the property value, and shouldn’t cost a ton to do. That small space before it I’m picturing as a small coat/storage closet. I know it’s sort of a strange arrangement to walk through to get to the bathroom, but I think it makes the bathroom feel a little more secluded and out of the way than having a door right in the living room. It also preserves that wall in the living room as a place you could put a couch on or a sideboard or whatever. I think if I buy or build a wardrobe thing with doors, it won’t feel awkward.

The dining room is staying more or less the same, except for the wall to the right of the chimney (elegantly represented here by that square pillar thing). I went back and forth on this, too…pre-renovation, it had been opened up as kind of a pass-through bar thing, which was sort of nice for the amount of light it let into the dining room. I know opening up spaces like that is popular with modern renovations, but I don’t really like seeing it in old houses, so I decided to close the wall back up! I think aligning the doorways and creating a straight shot from the front door to the back of the house will actually make the house seem more open than it was before, even though it’s really more closed up. Anyway, I like the idea of building some kind of storage into that space, like an old china cabinet/hutch situation. Maybe I can find something good salvaged, but if not I wouldn’t mind trying to DIY it. I’ve never built cabinets before!

kitchenbeforeafter

The “before” rendering of the kitchen is pretty generous since there weren’t actually cabinets or a sink when I bought the house, but I think this is similar to how things might have been set up. In any case, the big decision in here was whether or not to cover over the old basement stairs. Those stairs were originally on the exterior of the structure, but the addition of the kitchen brought them indoors. Maintaining the original stairs would have meant either boxing in the opening with walls, a banister, or devising a clever trap door solution…all of which were not really ideal solutions in my mind. I didn’t want to make the kitchen feel smaller with more walls and the trap door makes the basement sort of lousy as usable space (since access would be a hassle) and means that that area of the kitchen couldn’t really be used for anything else. I asked Edwin for a separate quote to add new basement stairs stacked under the original staircase and it was $800, plus another $400 to frame in the old opening and do some significant repair work to the existing joists under the kitchen floor, some of which had rotted due to water damage. It’s another one of those costs I wish I could have avoided, but that price seemed really reasonable and entirely worth it. The kitchen can be so much nicer as a result! So in the new plan, I have the fridge and some tall pantry-type cabinets on that wall, and a straight run of cabinets (lowers, but no uppers) with the stove and sink opposite. I think the kitchen is going to be great! I love a good kitchen renovation.

I hope that clears up the first floor! I’ll be back with second floor plans ASAP and we can all find out together how many horrendous SketchUp models we can look at before our eyes start to bleed. It’ll be fun!

IKEA, Fakesgiving, and some stuff I like.

I was one of those kids who was really interested in the private lives of my teachers. In third grade, I still had trouble reading words over about 5 letters long, but I knew where my teacher was from (Louisiana), her daughter’s name and age (Alexa, age 14), where she lived (a townhouse not far from us), the breed, age, and weight of her dog (Beagle, Rocket, approx. 40 pounds—he was a sausage), his diet to help him slim down (mixing canned green beans into his dog food), among plenty of other stuff. All of the arbitrary details that my instructors would just sort of offhandedly mention somehow got filed into this creepy subconscious Catalogue of Important Facts in my young brain, which evidently didn’t leave a lot of room for stuff like multiplication and division. Those things took way longer for me to pick up.

I’m still basically like this. I often forget what some of our close friends even do for a living, but I remember exactly where they’re from, where they went to school, when, how, and where they met their longterm boyfriend (whose occupation I similarly cannot recall), the name of their childhood family dog. It’s a mild issue in my life.

In college, I had this amazing writing professor. I loved him. Everything on the syllabus was so good and stuff I’d never read before, and his critique was always spot on, and he was just the best. He was a Serious Writer—published many times over, awarded, that type of thing—and the other students seemed to split between about 10% total reverence and 90% complete fear. It was a seminar-style class so really that 10% represents 1 person. Maybe 2. But anyway. He was great.

Why was he great? Well, I can’t totally remember by most typical metrics. Writing. Awards. I told you more or less what I know already. But one thing I do know is that he lived in Red Hook in Brooklyn, which is where IKEA is. And one time after class I casually asked if he ever went to IKEA for lunch, or just to hang out, because I’d probably do that if I lived within walking distance. And that’s when it started.

“Oh my god, have you seen the new PS collection? So much good stuff.”

“I really need a new sofa, but I can’t decide between the KARLSTAD and the KIVIK.”

“The only thing I miss about my old apartment is my PAX wardrobe. That thing was magic.”

It turned into a weekly thing. 3 hour seminar, followed by hour-long conversation outside about the merits of various IKEA products and our general, genuine love for the place. We were kindred IKEA spirits, and it was beautiful. This one time, another student tried to join in and make the case that IKEA was not all we were cracking it up to be, and things did not end well for that student. Because here’s the thing: whether you like the IKEA shopping experience or assembling the products or the products themselves at all, these things don’t negate that IKEA, I think, is the only company that has actually fulfilled the promise of modern design. Mass produced, affordable, well-designed products for regular people. That’s pretty exceptional. In the world of IKEA, nearly anybody is entitled to live with good design. I don’t really think of myself as having a lot of fondness for multi-billion dollar corporations, but clearly I have a soft spot.

A few weeks ago, something happened: IKEA approached Max and me about putting together a little Thanksgiving story. Since obviously it would have to run before actual Thanksgiving, I have been referring to it as Fakesgiving. They wanted Max to do the photography and post about it on Design*Sponge (where he’s senior editor now—go Max!), but I guess they wanted me to be in a picture or two and help style and then tweet about it. At first I was like…”wait, I’m not even supposed to write my own post? But I have so much to say!” But then I was like…”screw it, I’m going to write a post anyway.” So we decided on kind of a simple, modest Scandinavia-meets-Hudson-Valley vibe, got to go pick up a few IKEA products I’ve had my eye on, cook a bunch of food, and set up Fakesgiving in our dining room at 2 in the afternoon. It was a good practice run for when we do it for real. Then we invited a couple of friends over that night, stuck everything back in the oven for a bit, and pretended it was all for them.

So there. The Thanksgiving story is posted over on Design*Sponge, featuring a couple of recipes I made and some nice pictures of our dining room all gussied up. Instead of rehashing that post here, I woke up this morning thinking it might be fun to throw together a few of my current favorite IKEA products—some new, some old standbys. Just, you know, because. For the love of it I guess.

ikea

1. RYSSBY 2014 Pitcher: How very adorable is this sweet enameled pitcher thing? It’s got that classic rustic kind of vibe I like for our house because it blends nicely with vintage/antique serving ware and whatnot. I don’t think I’ll ever get over my enamel phase.

2. RYSBBY 2014 Throw: We threw this on top of my DIY bench at Fakesgiving, and it’s so cute! We already have a couple of heavy-duty thick wool blankets around the house, so I actually like that this one is on the thinner side—easier to throw over the arm of a couch or a chair and just a nice, cozy throw. So classic and sweet.

3. FULLFÖLJA Scissors: I haven’t seen these in person, but that’s a cute set of scissors! I love IKEA for useful, pretty, simple items like this. Their stainless steel and wood spoons are almost all we have in our kitchen for cooking utensils, and the quality is excellent.

4. UTBUD Serving Bowl: For some reason I can’t seem to find this on the website, but this bowl is really nice! It’s very sizable—perfect for serving big salads and stuff like that. We have a lot of vintage/antique stoneware bowls I’ve collected here and there (Max has actually put a moratorium on bowl-buying…lame), but I generally only really use them for dry foods like breads and nuts and stuff. This one mixes in seamlessly with the collection, but without possibly hazardous lead in the glazing and wear from years of use. It’s delightfully heavy.

5. SENIOR Casserole + Lid: When I bought this pot about a year ago, I actually considered writing a whole post about it because it’s just that nice. The outside is enameled cast iron and the inside is cast iron, and the whole thing is appropriately thick and weighty. I’ve grown to really like cooking on cast iron—it retains and distributes heat so well, and a well-seasoned pot/pan is fairly non-stick by nature. This one leaves nothing to be desired, honestly—it’s the highest quality piece of cookware I own, and it’s good-looking. I don’t own the smaller casserole or the pan, but I always really want to buy them if only just to round out the set in case they get discontinued.

6. TEKLA Dish Towel: I love the simplicity of the TEKLA dish towel. I use them for tons of stuff, but I like for mine to go through a very specific cycle: when they’re new, they make really pretty, casual-fancy napkins (especially in the DIY copper napkin rings I made for Fakesgiving!). Once they get a couple stains that don’t come out in the wash, they turn into dish towels. Once those start to wear out or get a little ratty looking, they go into the cleaning/shop rag category. Not bad for a 79-cent item!

7. KASTRULL Pot: As soon as these came out (there’s a smaller saucepan, too), I really wanted an excuse to buy one or both. Fakesgiving was my excuse. They’re just very adorable. Since they’re enamel over fairly thin steel, these probably aren’t going to cut it as everyday cookware, but they’re great for things like sauces and soups (and gravy, Fakesgiving style). I learned this the hard way with my Dansk-Kobenstyle pot, which is similar—thinner enamel cookware just doesn’t hold up well to cooking where stuff is liable to get stuck. But anyway. Cute.

8. GUNNERN Lockable Cabinet, Red: I just bought one of these recently, and the quality is GREAT. It actually came all in one piece, too! I like that it locks, because I like secrets.

9. SANNOLIKT Curtain Rod: Woah, hold the phone. I’m really weirdly into this curtain rod, and this is coming from somebody who really struggles (insofar as one can really struggle) with curtains. A big part of my issue with curtains is that finding a good rod is tough. This one I could get down with, though, and I can see it working well in all kinds of spaces. I’ll have to check it out in person next time I’m there, but this picture has me intrigued.

10. RYSSBY 2014 Cushion Cover: I keep my eyes out for fun, graphic throw pillow covers (I feel like it’s surprisingly hard to find good ones) and these are cute! Printing it on the unbleached linen/cotton blend really makes it, I think. The two sides also have different designs, so it’s kind of like two pillows in one! I like a ton of the stuff from the RYSSBY linethe cake stand has this same pattern on it, and we used that to serve pie at Fakesgiving. In other news, I have a cake stand now! FANCY. PANTSY.

Remember to go check out Fakesgiving on Design*Sponge! Is IKEA part of your holiday tablescapes?

I can’t believe I just wrote “tablescapes.” LOL.

But seriously I want to know.

This post is kind-of-sort-of-but-not-really in partnership with IKEA USA? Thanks, Big Blue n’ Yellow!

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